{"id":15052,"date":"2019-03-04T14:10:28","date_gmt":"2019-03-04T11:10:28","guid":{"rendered":"https:\/\/w3.bilkent.edu.tr\/tr\/?p=15052"},"modified":"2019-03-05T13:04:30","modified_gmt":"2019-03-05T10:04:30","slug":"comd-konusma-symbiosis-ebru-ozsecen-fb-110-1240-5-mart-en","status":"publish","type":"post","link":"https:\/\/w3.bilkent.edu.tr\/tr\/comd-konusma-symbiosis-ebru-ozsecen-fb-110-1240-5-mart-en\/","title":{"rendered":"COMD Konu\u015fma: \u201cSymbiosis,\u201d Ebru \u00d6zse\u00e7en, FB-110, 12:40 5 Mart (EN)"},"content":{"rendered":"<p>Dear Colleagues and Students,<\/p>\n<p>You are cordially invited to an artist talk by the Department of Communication and Design.<br \/>\nSpeaker: Ebru \u00d6zse\u00e7en (Munich)<\/p>\n<p>\u201cSymbiosis\u201d<\/p>\n<p>Abstract: \u201cSymbiosis\u201d represents the complex but less explored domain of interdependent relation between artwork and the place, where artwork is shown as sensory space. \u201cSymbiosis\u201d illustrates itself within the realms of contemporary art exhibition criteria. The core intention of the approach is to train the sensorial experience and to recognize the relationships which define the conditions of space in terms of perception and execution parameters for architecture and artwork.<\/p>\n<p>Date: Tuesday, March 5, 2019<br \/>\nTime: 12:40 \u2013 13:30<br \/>\nPlace: Seminar Room, FB 110<\/p>\n<p>Ebru \u00d6zse\u00e7en (b.1971) her work embraces a range of artistic and architectural practices, encompassing urban interventions, sculpture, objects, photography, video, film installations, and drawings. \u00d6zse\u00e7en explores the individual memory in contemporary society by observing the seemingly mundane, she exposes its magical and unseen aspects revealing a space where fantasy and memory hide in plain sight.<\/p>\n<p>\u00d6zse\u00e7en\u2019 work has been the subject to solo exhibitions at the \u201cCity\u201d, Coimbra Science and Technology Museum, 2000; \u201cSugar Top Girl\u201d, Henry Urbach Architecture, New York 2001; \u201cJawbreaker,\u201d Edition Block, Berlin, 2009; \u201cK\u0131smet\u201d, Tanas, Berlin, 2010, \u201cTrue Love Soul Mate\u201d, Rampa, Istanbul, 2012., group exhibitions as \u201cDas Lied von der Erde\u201d, Kunsthalle Fridericianum, Kassel, 2000; \u201cThe Big Blue\u201d, Tate Modern, London; \u201cUnlimited nl\u201d, De Appel Foundation, Amsterdam, 2001; \u201cIn den Schluchten des Balkan: Eine Reportage\u201d, Kunsthalle Fridericianum, Kassel, 2003; \u201co.T. [City IV]\u201d, Leipzig Contemporary Art Center, 2005; \u201cMeisterwerke der Medienkunst aus der ZKM Sammlung\u201dZKM, 2006; \u201cModern and Beyond\u201d, santralistanbul, 2007; \u201cDream and Reality,\u201d Istanbul Modern, 2011; \u201cAt Home, Wherever,\u201d Tanas, Berlin, 2011, \u201cThe Fertile Crescent\u201d, Mason Gross Gallery, New Brunswick, NJ 2012.<\/p>\n<p>Her work was included in the 25th S\u00e3o Paulo Biennial, Cork Triennial 2007, Sonsbeek 9, the 2nd Pusan Biennial, Whitstable Biennial 2001, Barcelona Triennial, Limerick Biennial EVA 2000, the 6th Istanbul Biennial, and the 5th Istanbul Biennial. Permanent collections include ZKM, Science and Technology Museum Coimbra, Collection Block, Vehbi Ko\u00e7 Contemporary Art Collection, B.A.C.O.P Collection, and Podesta Collection. \u00d6zse\u00e7en is a graduate of Bilkent University and a Rijksakademie fellow. She lives and works in Munich.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dear Colleagues and Students, You are cordially invited to an artist talk by the Department of Communication and Design. Speaker: Ebru \u00d6zse\u00e7en (Munich) \u201cSymbiosis\u201d Abstract: \u201cSymbiosis\u201d represents the complex but less explored domain of interdependent relation between artwork and the place, where artwork is shown as sensory space. \u201cSymbiosis\u201d illustrates [\u2026] <\/p>\n<div class=\"clear\"><\/div>\n<p><a class=\"more_link clearfix\" href=\"https:\/\/w3.bilkent.edu.tr\/tr\/comd-konusma-symbiosis-ebru-ozsecen-fb-110-1240-5-mart-en\/\" rel=\"nofollow\">Read More<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-15052","post","type-post","status-publish","format-standard","hentry","category-eskipostlar"],"_links":{"self":[{"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/posts\/15052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/comments?post=15052"}],"version-history":[{"count":1,"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/posts\/15052\/revisions"}],"predecessor-version":[{"id":15053,"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/posts\/15052\/revisions\/15053"}],"wp:attachment":[{"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/media?parent=15052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/categories?post=15052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/w3.bilkent.edu.tr\/tr\/wp-json\/wp\/v2\/tags?post=15052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}